Who’s who in the Cannes film festival jury

In a year rocked by the #MeToo movement, the jury of the Cannes film festival is both majority female and led by a woman. Here are the nine members:

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The two-time Oscar winner from Australia is the 12th woman to head the panel of judges. The 48-year-old has emerged as a key figure in Hollywood’s fight against sexual harassment.

One of the first women to call out Harvey Weinstein, Blanchett recently co-founded the “Time’s Up” movement in support of abuse victims.

She made her breakthrough as Britain’s flame-haired monarch Elizabeth I in the 1998 biopic, earning her the first of her six Oscar nominations.

Although she has never won anything at Cannes, her performance in “Carol”, where she played one half of a couple of illicit lesbian lovers, earned her rave reviews in 2014.

One of Taiwan’s best-known actors, the 41-year-old shot to fame in the 2000 martial arts saga “Crouching Tiger, Hidden Dragon” by fellow countryman Ang Lee.

Born into a family of actors, Chang got his first leading role aged 14 in “A Brighter Summer Day”, a violent four-hour epic about warring street gangs.

He has starred in several critically acclaimed Chinese-language films including Hou Hsiao-hsien’s “The Assassin”, which won the best director award at Cannes in 2015.

The 28-year-old has long been a darling of Cannes, appearing in the main competition in “On the Road” by Walter Salles in 2012 and Olivier Assayas’ “Clouds of Sils Maria” and Woody Allen’s “Cafe Society” in 2014.

The award-winning actress also premiered her first short film as a director, “Come Swim”, at the festival last year.

Stewart, a Los Angeles native, was first spotted by a talent scout at age eight and had her breakout role opposite Jodie Foster in the 2002 thriller “Panic Room”.

But her career made a quantum leap when, at 17, she played broody teen Bella Swan who falls in love with a vampire in the “Twilight” films.

Burundian Khadja Nin has become one of French-speaking Africa’s most celebrated singer-songwriters with her unique blend of Afro-Cuban rhythms and modern pop.

She has performed alongside music legends like Montserra Caballe and Sting, and collaborated with French screen legend Jeanne Moreau for a music video.

The daughter of a diplomat and youngest of eight children studied music from an early age before eventually moving to Europe.

The trailblazing director, screenwriter, producer and distributor, who directed the Oscar-nominated civil rights drama “Selma,” is the first African-American woman to helm a film with a budget over $100 million — this year’s “A Wrinkle In Time” starring Reese Witherspoon and Oprah Winfrey.

DuVernay’s Oscar-nominated documentary “13th”, named for the constitutional amendment that abolished slavery, offered a devastating account of mass incarceration of black men in contemporary American.

In March, she signed on to make the DC Comics superhero blockbuster, “The New Gods”.

French writer and producer Robert Guediguian is best known for the “The Young Karl Marx” and the acclaimed “Marius and Jeannette”, the gutsy story of a single mother supermarket checkout worker.

He also directed the much praised “Le voyage en Armenie”, a story set in his ancestral homeland.

At 32, Seydoux is one of France’s best-known actresses with a Palme d’Or already under her belt.

Starring in pictures by heavyweights ranging from Quentin Tarantino to Woody Allen, Seydoux is arguably best known to global audiences for her turn as a Bond girl opposite Daniel Craig in 2015’s “Spectre”.

But it was her soulful turn in Abdellatif Kechiche’s epic lesbian love story “Blue is the Warmest Colour”, which unusually captured the Palme d’Or for the director and the two leads, that made her a Cannes fixture.

The director and screenwriter, whose update of the sci-fi classic “Blade Runner 2049” picked up two Oscars this year, is a frequent guest of the festival.

The 50-year-old filmmaker made his Cannes debut two decades ago with “August 32nd on Earth” a drama about a model who confronts an existential crisis by deciding to have a baby with her best friend.

The Russian maker of such classics as “The Return” and “Leviathan” is regarded as one of the greatest directors in the world at the moment, with his last film “Loveless” the critics’ favourite for the Palme d’Or last year.

It was pipped at the post by “The Square”, but the sombre story of the warped values of the country’s post-Soviet middle class was later nominated for best foreign film Oscar.

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